Schubert: 4 Impromptus, Op.90 (Zimerman)

Four perfect demonstrations of Schubert's inability to write a wayward or ugly note, and of Zimerman's perfectly controlled and crystalline playing. His voicing and handing of dynamic shifts is especially noteworthy. Schubert's Op.90 Impromptus have a deep sense of space about them -- a sense of a musical idea growing organically, without and fuss or struggle, and Zimerman's playing captures that sense very well. 00:00 -- No.1, C minor. A set of variations on two themes, even though you'll notice that the second theme is based on the first, with more widely-spaced intervals. 09:06 -- No.2, E-flat major. The link between the first E-flat major and B minor themes is especially ingenious, and strangely obvious once you've spotted it: the second B minor theme is based rhythmically on the implied accents in the structure of the A section (1!231!231!2!3!1!23). 13:55 -- No.3, G-flat major. A study in muted and utterly compelling lyricism. 20:16 -- No.4, A-flat major. A dialogue between gently cascading arpeggios and murmuring chordal responses. The richly brooding middle section ventures into the major mode towards its conclusion, but dramatically reverts to the minor.
Постављено 25. октобар 2017.
кликни да оцениш

Угнезди  |  46 прегледа


0 коментара